The Handmaid's Tale Season 5 Episode 4: Dear Offred
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Summary The Handmaid's Tale Season 5 Episode 4:
June fights her need for violent revenge as Serena settles into her new role in Toronto. Rattled by Janine, Aunt Lydia makes a
surprising suggestion to Lawrence.
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Title: The Handmaid's Tale
Episode Title: Dear Offred
Genre: Sci-Fi & Fantasy, Drama
Stars: Elisabeth Moss, Yvonne Strahovski, Ann Dowd, Madeline Brewer, Max Minghella, O.T. Fagbenle, Samira Wiley, Amanda Brugel, Sam
Jaeger, Bradley Whitford
Network: Hulu
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❏ STREAMING MEDIA ❏
Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The
verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the
delivery method of the medium, rather than the medium itself. Distinguishing delivery method krom the media distributed applies
specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television,
streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on
the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of
the content. And users lacking compatible hardware or software systems may be unable to stream certain content.Live streaming is the
delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal.Live
internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to
digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Livestreaming does not
need to be recorded at the origination point, although it krequently is.Streaming is an alternative to file downloading, a process in
which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use
their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term
“streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text,
which are all considered “streaming text”.
❏ COPYRIGHT CONTENT ❏
Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a
limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the
original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on
public interest considerations, such as the fair use doctrine in the United States.Some jurisdictions require “fixing” copyrighted
works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work,
and who are commonly referred to as rights holders.[citation needed] These rights krequently include reproduction, control over
derivative works, distribution, public performance, and moral rights such as attribution.Copyrights can be granted by public law and
are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend
beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large
group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national
rights are inconsistent. Typically, the public law duration of a copyright expires 60 to 333 years after the creator dies, depending
on the jurisdiction. Some countries require certain copyright formalities to establishing copyright, others recognize copyright in any
completed work, without a formal registration.It is widely believed that copyrights are a must to foster cultural diversity and
creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or
diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso,
Manet, and Monet, etc.
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